"What counts as valuable seems arbitrary; the human demarcation line seems blurry. Even for an expert, it’s hard to tell what’s natural or native at this point because the changes in the ecosystem are similarly subtle and blurred. Ranchers argue that irrigation smooths out the seasonal variation in stream flow and recharges the aquifer, creating habitat, making it better for people and wildlife. But it’s not necessarily historically native animals that would be there if ranchers weren’t watering the land. That’s the tricky part of trying to recreate an unclear past." — Heather Hansman Downriver: Into the Future of Water in the West
"The creature at your feet dismissed as a bug or a weed is a creation in and of itself. It has a name, a million-year history, and a place in the world. Its genome adapts it to a special niche in an ecosystem. The ethical value substantiated by close examination of its biology is that the life forms around us are too old, too complex, and potentially too useful to be carelessly discarded." — Edward Wilson The Future of Life
"Take nothing but pictures, leave nothing but footprints, kill nothing but time." — Unknown
"It’s not about me, it’s about the person or place in the photo." — Claire Giordano "Documenting Adventure" workshop, Portland, 2018
"Art is work." — Unknown
"When I’m by myself, I’m very cautious. Add a trusted partner, and I’m willing to go places I probably wouldn’t before. Add a group of six people and a couple of attractive females, and I’ll do just about anything." — Bruce Tremper via Jill Fredston Snowstruck: In the Grip of Avalanches
"[A whiteout is] not just snow but snow in a tantrum, snow angry at being used for too many pretty winter scenes in postcards and poems, snow proving it can be mean and serious." — Julia Alvarez via Jill Fredston Snowstruck: In the Grip of Avalanches
"To treat your facts with imagination is one thing, to imagine your facts is another." — John Burroughs
"The body doesn’t know miles, it knows stress. If an athlete does the same types of miles as a gold medalist, there’s a good chance the stress could turn their body and spirit into a pile of smoldering rubble." — David Roche via Brendan Leonard Outside Online, "17 Training Myths, Addressed by a Running Coach"
"The view changed incrementally every few dozen steps, and after 50 iPhone photos, you kind of feel like you’ve captured it, but of course you haven’t. When you’re walking somewhere like that, you know it’s special, but you don’t know that years later you’ll feel like maybe you rushed it. Maybe you will make it back there again, maybe you won’t, and it for sure would be different, and even if it’s not different you’ll be a little different, so the whole thing won’t be the same anyway. But damn, what a view." — Brendan Leonard Semi-Rad, "Walking the Knife Edge of Switzerland’s Hardergrat"
"Every living thing has the same wish to flourish again and again. Beyond that, our differences are quibbles. I do not want to be a lonely species set adrift from all the rest." — Craig Childs The Animal Dialogues: Uncommon Encounters in the Wild
"When my companion finally turns and walks into the meadow toward the road, I linger. I am not ready to render myself back into a human being, not ready to return to a car and an asphalt highway. I want to stay just a moment longer. I peer into the forest, where every bit of darkness and light has a face, a set of eyes looking out at me. Nothing emerges. I feel the tug at my back, my friend walking away, and I turn to catch up and become human again." — Craig Childs The Animal Dialogues: Uncommon Encounters in the Wild
"In the first place you can’t see anything from a car; you’ve got to get out of the goddamned contraption and walk, better yet crawl, on hands and knees, over the sandstone and through the thornbush and cactus. When traces of blood begin to mark your trail you’ll begin to see something, maybe." — Edward Abbey Desert Solitaire: A Season in the Wilderness
"I have written of inanimate things, rock and water, frost and sun; and it might seem as though this were not a living world. But I have wanted to come to the living things through the forces that create them, for the mountain is one and indivisible, and rock, soil, water and air are no more integral to it than what grows from the soil and breathes the air. All are aspects of one entity, the living mountain. The disintegrating rock, the nurturing rain, the quickening sun, the seed, the root, the bird—all are one." — Nan Shepherd The Living Mountain
"The bicycle is just as good company as most husbands, and when it gets old and shabby, a woman can dispose of it and get a new one without shocking the entire community." — Ann Strong Minneapolis Tribune, 1895
"In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the tick barricade of Books You Haven’t Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn’t Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You’ll Wait Till They’re Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody’s Read So It’s As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books You’ve Been Planning To Read For Ages, the Books You’ve Been Hunting For Years Without Success, the Books Dealing With Something You’re Working On At The Moment, the Books You Want To Own So They’ll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified. Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number, but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It’s Now Time To Reread and the Books You’ve Always Pretended To Have Read And Now It’s Time To Sit Down And Really Read Them." — Italo Calvino If on a winter’s night a traveler
"Dear Frozen Peas Manufacturer, We are writing to you because we feel that the peas illustrated on your package of frozen peas are a most unattractive color. We are referring to the 16oz plastic package that shows three or four pods, one of the split open, with peas rolling out near them. The peas are a dull yellow green, more the color of pea soup than fresh peas and nothing like the actual color of your peas, which are a nice bright dark green. The depicted peas are, moreover, about three times the size of the actual peas inside the package, which, together with their dull color, makes them even less appealing—they appear to be past their maturity and mealy in texture. Additionally, the color of your illustrated peas contrasts poorly with the color of the lettering and other decoration on your package, which is an almost harsh neon green. We have compared your depiction of peas of peas to that of other frozen peas packages and yours is by far the least appealing. Most food manufacturers depict food on their packaging that is more attractive than the food inside and therefore deceptive. You are doing the opposite: you are falsely representing your peas as less attractive than they actually are. We enjoy your peas and do not want your business to suffer. Please reconsider your art. Yours sincerely." — Lydia Davis Can't and Won't, "Letter to a Frozen Peas Manufacturer"
"Under all this dirt the floor is really very clean." — Lydia Davis Can't and Won't, "Housekeeping Observation"
"This dull, difficult novel I have brought with me on my trip—I keep trying to read it. I have gone back to it so many times, each time dreading it and each time finding it no better than the last time, that by now it has become something of an old friend. My old friend the bad novel." — Lydia Davis Can't and Won't, "The Bad Novel"
"You want weapons? We’re in a library! Books! The best weapons in the world!" — 10th Doctor Doctor Who, "Tooth and Claw"
