"To the brain, the future is as real as the past. The difficulty begins when reality doesn’t match the plan. In nature, adaptation is important; the plan is not. It’s a Zen thing. We must plan. But we must be able to let go of the plan, too. Under the influence of a plan, it’s easy to see what we want to see." — Laurence Gonzales Deep Survival: Who Lives, Who Dies, and Why
"The first rule is: Face reality. Good survivors aren’t immune to fear. They know what’s happening, and it does 'scare the living shit out of' them. It’s all a question of what you do next." — Laurence Gonzales Deep Survival: Who Lives, Who Dies, and Why
"Our brain loves to not decide things. We love to default, or revert to the mean, or do what we know." — Sara Boilen Powder Magazine, "Your Heart and Brain Are Working Against You in Avalanche Terrain"
"What we see often has more to do with what we have seen in the past or what we hope or expect to see than it does with what is staring us in the face." — Jill Fredston Snowstruck: In the Grip of Avalanches
"Isn't it mysterious how so many wonderful things in life come to us seemingly without a plan? We start traveling down one street and find ourselves interested in something we never expected on a side street, and as we explore it, the side street becomes the main road for us." — Fred Rogers Life's Journeys According to Mister Rogers
"The view changed incrementally every few dozen steps, and after 50 iPhone photos, you kind of feel like you’ve captured it, but of course you haven’t. When you’re walking somewhere like that, you know it’s special, but you don’t know that years later you’ll feel like maybe you rushed it. Maybe you will make it back there again, maybe you won’t, and it for sure would be different, and even if it’s not different you’ll be a little different, so the whole thing won’t be the same anyway. But damn, what a view." — Brendan Leonard Semi-Rad, "Walking the Knife Edge of Switzerland’s Hardergrat"
"In the first place you can’t see anything from a car; you’ve got to get out of the goddamned contraption and walk, better yet crawl, on hands and knees, over the sandstone and through the thornbush and cactus. When traces of blood begin to mark your trail you’ll begin to see something, maybe." — Edward Abbey Desert Solitaire: A Season in the Wilderness
"The miracle was that each moment in our lives connected in a long chain to make a unique story, that it was all mystery, that we could shudder in the face of death and also laugh, that we could share burdens with each other, that a succulent could grow in a crack in the midst of all this stone and release oxygen in to the world so that I could live, that love remained waiting. There is wonder in noticing and contemplating and being a part of instead of separate from. In knowing that a thing, if done right, is filled with truth. I climbed. At the top of the wall was the start of my return to Michelle—another place to begin. Right here is also a place to begin, I thought." — Matt Spohn Alpinist Magazine, Issue 65, "Ground Up"
"I felt it was for this I had come: to wake at dawn on a hillside and look out on a world for which I had no words, to start at the beginning, speechless and without plan, in a place that still had no memories for me." — Laurie Lee As I Walked Out One Midsummer Morning
"This grand show is eternal. It is always sunrise somewhere; the dew is never dried all at once; a shower is forever falling; vapor is ever rising. Eternal sunrise, eternal dawn and gloaming, on sea and continents and islands, each in its turn, as the round earth rolls." — John Muir John of the Mountains: The Unpublished Journals of John Muir
"Taking the same trail in the opposite direction is like walking on the other side of time. Everything looks different on the way back. Same trees, same stobs and snags. Same switchbacks and curves; same vistas, same fallen tree bridge across the creek. But going back the way you came, it’s just as easy to lose your footing, but it’s harder to get lost. The light shines on things you didn’t notice on the way there. The path back, it’s the story you tell yourself, afterward." — Alexis M. Smith Marrow Island
"I think that the wilderness can be a great teacher and that it has much in common with feminist ideas. And by feminism I mean getting in touch with your own values, intelligence, resourcefulness, physical capacities, and general ability to live a rich and satisfying life of your own, not only with, but also apart from, friends and loved ones. There is nothing like severing connections to outside resources—both mechanical and human—to show a person how much she or he can really do. Since women have traditionally been taught that they cannot handle tough situations, the confidence gained on wilderness outings can be particularly valuable for them. I believe that even one weekend backpacking, even in not very difficult surroundings, can have a tremendous and lasting effect on the spirit which will carry over into all aspects of life." — Maggie Nichols via Anne LaBastille Women and Wilderness
"Writers write into a silence that can linger for a long time." — Laurence Gonzales Deep Survival: Who Lives, Who Dies, and Why
"Beauty is the door to another world." — Voytek Kurtyka Alpinist Magazine, Issue 43, "The View from the Wall"
"The journey you travel on your feet is less important than the distance you cover in your head." — Mishka Shubaly
